Tuesday, December 28, 2010

I Coulda Been a Contender


It doesn't matter that no one really commented on the last blog. Just comment.

I mean, manifestos. Played, right? OK, here it is:


Can't more people be like this? Forward! Forward, forward, forward!

There's enough disappointment through all of us.


Or this: I coulda been somebody, which is what I am:


See ya on the other side, no one:



Monday, December 20, 2010

Don't Forget Me

There needs to be a power amongst people of youth. I'm only 24 and I feel like I'm slipping away. There needs to be the fire in eyes, and I don't see it. I see the kids my age taking a lot of pictures, flaunting them on Facebook. The pictures of food, of parties - is there nothing that we can capture that is of worth? Vegan food?

I recently read an article about the Peace Corps, wished to join it, and knew immediately that I am too cowardly to join. So be it. But I feel, wish, and hope that I can make a difference down the line.

I think we need to call it back to art and the community of art. Where is there a community? I may not be in the know or connected to the pulse or in the heart of it, but I've been around these communities, man, and these communities ain't nothing but shit. It's all outfits. I've seen it. I've been drunk and around and I find myself silent. I find myself out, looking, wishing for another drink. Is the next drink the answer? If it is, I am a community of one: when you drink, drink for that last one and never waste a living minute to get it.

No, this shit cannot stand. If someone is fashionably drunk again I'll drink two shots for him. If you're wasted and you pose, I will drink two to out pose you, doubly. Come on. Let it stand. Everyone is too educated. I never learned anything from a book that I didn't learn from a bottle and I'd never learn anything if I didn't read a book. I've got a ringing in my ears that I can only hope to drink into silence.

There is music from every era that can make me cry. There is only one love that makes me move, and it is a person. Let's all try and move towards that love. That's a community I'll get behind. Nothing cosmic, nothing political. Ask her out. Ask him out! And be real. Isn't that the only way you can get a date?


Email me at danielgrgas@gmail.com


Saturday, December 18, 2010

Free Shit

Am I the only one not getting everything for free? I feel like everyone's getting free t-shirts, free tickets, free this and that - and then they're gloating about. Hey everyone, if you got something for free, I don't wanna hear about it over and over again. You're not special because you won a t-shirt. With quiet dignity, let me know about it. And then, I think, I'll be able to rejoice in your good fortune. But don't slap me in the face with it.

Friday, December 17, 2010

Don Van Vliet, RIP


I love ya, ya big dummy.

Just heard that the Captain, Captain Beefheart, Don Van Vliet, has died, due to complications from multiple sclerosis.

I'm upset about this one. Here is a man that, while he wasn't young (69 when he died) certainly wasn't old, in this day and age. And even though he no longer made music, he was a great painter, and was the type of person who would always have something to give, artistically.

It's funny that he dies now, just when I have gotten to know all of his material. In the last three months I've bought 4 Beefheart LPs, so I could hear them on vinyl. Some of the best musical moments I have had have been in the past half year, listening to the Captain, and getting to know his music.

His music is not for the faint of ear or heart; the Captain made uncomprimising music, and that's why his music was so great. Trout Mask Replica is an album that has taken me literally years to appreciate, and now I couldn't imagine living without it. One day it clicked, and then I needed to hear everything the man had done.

Anyone who reads this, if you haven't heard the Captain, I think you should. Start off with Safe As Milk, his first album. It's a blues record, but with the Captain's sensibility and the touch of his Magic Band. Listen to "Electricity". You listen yet? The Captain had a voice unlike any other, and that's just a fact. Now work your way through his catalogue.

The Captain was in touch with himself and nature. He wasn't conventional. He made the kind of music that I appreciate, the music that challenges and takes time to work its way into us. And when it does, it really hits home.

All my heroes* are going. RIP Don Van Vliet.

*12/21/10 - Here's what the Captain had to say about heroes: Speaking about jazzman Eric Dolphy, "Well, he moved me, but he didn't move me as much as a goose, say. Now that could be a hero, a gander goose could definitely be a hero, the way they blow their heart out for nothing like that." Love the Captain!

Also, when describing his music, he said that the art of Franz Kline was probably the best representation of what he was trying to do. He singled out this painting, Kline's No.7:

"...it's just totally speed and emotion that comes out of what he does."

Thursday, December 16, 2010

Calling 12 of the top 20 Albums of the Year, Pitchfork

The much anticipated and venerated Pitchfork Top 50 Albums of 2010 will be complete tomorrow, and I'm going to call what I think will be the top 12. If you want a piece of the action, let me know: the over/under is 7.

12) Animal Collective - Fall Be Kind EP
11) Vampire Weekend - Contra
10) Titus Andronicus - The Monitor
9) LCD Soundsystem - This is Happening
8) Janelle Monae - The ArchAndroid
7) Beach House - Teen Dream
6) Joanna Newsom - Have One On Me
5) Arcade Fire - The Suburbs
4) Big Boi - Sir Lucious...
3) Flying Lotus - Cosmogramma
2) Ariel Pink's Haunted Graffiti
1) Kanye West - My Beautiful Dark Twisted Fantasy

And there you have it. I'm pretty confident, but who knows, I could be straight smoked. Animal Collective, even though it's an EP seems high. Top three - I'm confident on those picks, and Kanye has to be one since he received a 10.0.

(this is stupid)

Click to see Pitchfork's list HERE.

Bolded means it was in the top 12, and bolded and italicized means I guessed the correct position.

12) Animal Collective - Fall Be Kind EP
11) Vampire Weekend - Contra
10) Titus Andronicus - The Monitor
9) LCD Soundsystem - This is Happening
8) Janelle Monae - The ArchAndroid
7) Beach House - Teen Dream
6) Joanna Newsom - Have One On Me
5) Arcade Fire - The Suburbs
4) Big Boi - Sir Lucious...
3) Flying Lotus - Cosmogramma
2) Ariel Pink's Haunted Graffiti
1) Kanye West - My Beautiful Dark Twisted Fantasy

10 outta 12! Hope everyone took the over!

Surprised Flying Lotus didn't crack the top 10, let alone the top 12. Seemed like there was a lot of buzz on that one. Also, thought Ariel Pink would've been higher.

I'll never get the supreme love of Beach House - they're OK, but kind of a snoozefest.

Always underestimate the sway that LCD Soundsystem has...I believe that's two #2 albums on the Pitch4k year end album list. I didn't think this was as powerful as Sound of Silver.



So does this mean that I'm a genius, or that Pitchfork is just predictable? Or was it easy to guess based upon the rankings they gave these albums in the past year?!??! Maybe a combination of all three, that's what I think.

Wednesday, December 15, 2010

Blame It On a Black Swan...


What awakens me from my blogging slumber? If you guessed "Another mediocre Darren Aronofsky film," then you are correct!

1) First off, they should've just called it The Ballerina. The Wrestler and The Ballerina. Why not? Movies about troubled, self mutilating athletes who have family issues that feature the back of the leading actor's head for three quarters of the film, ending in a shot where the athlete finds some sort of grace, juxtaposed with the athelete falling from a great height - literally.

2) Look, enough with the back of the head shot. Natalie Portman has one of the best back of the heads in show business, and I still don't want to stare at it endlessly. Furthermore, would it kill ya, Darren, to raise the camera above characters' heads? Why does it always have to be eye level or bust?

3) Any movie that has a character smoke a cigarette to signify that they are evil is living in a cardboard cut out of reality. OMG Mila Kunis is smoking! Hiss! Hissss! [Superman Returns did this far worse though: when Kate Bosworth drops her bag and a cigarette comes out...well, lemme just say that it was quite the tense moment for Clark Kent.] And when Black Swan went further and had Portman's character take - wait for it! - ecstasy - given to her by the evil Kunis, it gave me the feeling I was watching an after school special. I'm not pro drugs or completely anti drugs. It's just a complexity of life that was dumbed down.

4) Usually when a screenplay is written by three different people, you can tell, and Black Swan is no exception. "Now I want you to go home and touch yourself tomorrow." "If your name is Todd and you have a penis, then yes." "I'm throwing out this cake in the garbage!" These aren't exact quotations, but they represent the vibe I got. The story was fair; it was just that the dialogue made me LOL in the theater. [Hands down the best part of the movie was when my buddy LOL'd during the flick and some other guy LOL'd ten rows behind him, LOLing at my friends LOL. LOL.]

5) I applaud Natalie Portman, both her acting and the fact that she did all of her own dancing. That said, I would have liked for a professional dancer to do some really complicated tasty moves that Darren could have cut to in a wide shot allowing the audience to see just how skilled the Portman character was as dancer. I think Black Swan missed out on showing the audience just how utterly beautiful ballet dancing probably is.

6) Heavy handed with the music. Easy does it, pal. Cue the Requiem theme! DA NANANA DA NANANA!!!

7) The melodrama between Portman and her mother. Enough, already. Cue the Requiem theme! DA NANANA "You're on uppers, Ma!" DA NANANA!

8) The sex scene between Kunis and Portman was awesome! Pretty explicit I thought, what with all the muff diving. Curious to see just how NC-17ish Blue Valentine is/was compared to this lesbian romp -- as compared to what I've heard is a realistic, though gritty, depiction of heterosexual sex. Versus, of course, the homosexual psycho-sexual intercourse that takes place in Black Swan. Cue the Requiem chants! "Ass to ass! Ass to ass!"

9) Vincent Cassel was fucking boss. Pimping ballerinas and then casting them aside when he has used them. Fucking Cassel. "You bit me!" Portman, the biter: only Cassel could bring that out of her.

10) Total waste of Winona Ryder.

Basically, Black Swan and all of the other Aronofsky films suffer from being vague explorations of the depths of the human condition/existence (The Fountain), vague grotesqueries (The Wrestler, Requiem for a Dream), or both (Black Swan). [note: I have not seen Pi, but I'm sure it is a vague mathematical quest for spiritual fufillment.] In that Black Swan was both of the former, I applaud it, as well as Aronofsky's commitment to his vision and art. Plus, Black Swan was genuinely strange, so there's that.

But that does not take away from the fact that I believe he is a poor director. His visual style bores me, and, worse yet, he does not handle his stories with much finesse: the finished films do not as much bring the viewer into the world as they leave the viewer on the outside, admiring the spectacle of an idea or notion that Aronofsky is currently infatuated with. Investment in characters is the key to filmmaking and when I watch an Aronofsky film I could care less about any of them.

Friday, December 10, 2010

Bloody Mary


10 thoughts on a good bloody mary.

1) Gotta be Clamato.
2) Vodka - any is OK. Cheap is fine; it's not a martini.
3) What kills a bloody mary is too much Worcestershire sauce. Easy does it.
4) C'mon, they got to be spicy - give it a kick!
5) Pickle juice: the secret. Add it and boy, does it enhance the BM. Compliments the spiciness with a nice, cooling freshness.
6) Drink 'em any time, but they're always best in the morning, truly.
7) Horseradish: I'm for it.
8) Try a little Peter Luger sauce - pretty nice, for variety.
9) Salt and pepper must be added.
10) Finish off with fresh lemon - mmhhhmmm!

Wednesday, October 13, 2010

The Grgas Manifesto


I wrote this throughout senior year of college. I wanted to pass it out as a manifesto to all my fellow graduates at the end of the year. Never got around to it. But here it is. I hope it still applies. I'm not reading it cuz it was meant to get out there as is.

THE GRGAS MANIFESTO


Causes are bogus.

A man need drink only martinis his entire life.

A man is a man’s man and that is why a lady loves him.

Talk is cheap.

Never tell someone to quit smoking unless that person is your child or your mother.

A drink is a drink. Time is time. Drink whenever the mood strikes.

Pants don’t make the man.

Love your shoes.

Wear sunglasses to block the sun’s rays.

Music anytime is good but sometimes there has to be quiet.

A movie is great; a book is better; sometimes a magazine is best.

Don’t be ashamed, and if you are, don’t.

Reading a well-written biography about an interesting person is truly satisfying, though a well-written biography about an uninteresting person is good, too.

Cigarettes are well worth it.

At some point everyone must realize that smoking pot isn’t as good as it once was and that you’re better off drinking a cocktail.

Dig another man’s style.

Don’t half ass a beard.

Wine is fine by me.

What’s funny’s funny.

Money is printed and meant to be spent.

Life is a lyric set to bullshit.

An ego is small and it is large.

Who is serving me my fries?

Don’t over do it with the posters.

There’s nothing wrong with a mustache.

Regret and fear can ruin a man. Do not let it happen.

It’s hard denying Jesus was a cool dude.

The Beatles and their music will never be equaled or understood.

A good ear is a gift.

Staying hydrated is harder than it seems.

Poor weather builds character.

Sometimes the best policy is saying, “fuck it.”

Ask her out.

Masturbating can be great, but take it easy.

It’s more fun pleasing a woman than it is to please yourself.

Less is more. Don’t tell me too much about yourself.

What’s wrong with a little disappointment every now and then?

These are my favorite sunglasses.

(...And then there was a picture of you.)


Thanks,


Dan


Saturday, July 31, 2010

OPEN LETTER

I will never understand people who just don't want to go out and have a good time. I don't understand it. I understand if it comes down to money. You don't have the cash you don't have the cash - but you can still come out! Not everyone is an alcoholic like me; people can go without drinks. I'll pay the damn cover.

But if you're interest is in staying in, so be it. I just don't get it. Where are the people that want to do things? Where are these people? Where are all the dudes like in the movies where they go out regularly, to a regular spot and they do shit? Where are those people? Why do I only know two or three - fuck that, one - who is generally consistently interested? Priorities? Laziness? Fear?

All I'm saying is, if you can go out, go out. Do it. Enjoy your youth. What, are you gonna watch Rear Window for the tenth time? Good movie I'm sure. Whatever. Watch it whenever.

Chilling is 100 percent overrated. I'll chill out when my fucking liver is broken or when I'm demented or when I have a wife and kid. Now it's time for going out and doing shit. Get off pills. Stop being afraid of your own dick. Let's go. Too much nonsense. Let's go. Fuck chilling, chill another day. Yeah, sure, of course, everyone needs a day off - or two, fuck, I'll give ya two. But don't make it a fucking habit.

All right. See some of you out there.

Peace.

Friday, July 16, 2010

The Summer Blockbuster

There is definitely something very special about a summer blockbuster. Going to the theater on a warm Friday night, the crowds gathering; the anticipation. Call me a nerd or a loser, but I find it exhilarating. There is an electricity in the air, if the movie is big enough, or has been buzzed about enough.

I'm sitting here watching The Dark Knight and remembering when I saw it; or rather, remembering the anticipation leading up to it, and the buzz after it was out. The world was all about The Dark Knight for a summer.

And that's pretty much the point. A good summer blockbuster gets everyone talking, and that creates a community. Everyone sees the same movie, everyone talks about it, and there is that electricity that builds up on top of all the other joys of summer. Parties outdoors, beautiful weather, the beach, baseball, barbeques, all of the stuff that people really get off on, and rightfully so. Summer is special.

A good movie just makes it better. From Jaws to The Dark Knight to Inception, the new Christopher Nolan flick that comes out today. I'm feeling that buzz. I'm feeling the vibe. It feels like it's a sequel to The Dark Knight, it has that kind of electricity around it.

I used to be more into going to see movies on opening night than I am now, back in the Star Wars prequel/Lord of the Rings days. Now, I prefer going to see a flick on six dollar movie night Tuesdays because...it's six dollars and not 12 bucks or whatever. But there are still certain movies I feel I have to see on opening night. I want that buzz, that summer buzz. You need one a summer at least. And I think it's not going to get better than Inception this summer. A Christopher Nolan flick - coming off the heels of The Dark Knight - that looks absolutely insane starring Leo DiCaprio? Ebert gave it 4 stars, which means it's good. (If Ebert doesnt't give a movie four stars I get less interested in seeing the movie because he gives so many movies 4 stars.) All the pieces of the puzzle are there.

So where will I be tonight? At the theater soaking in some of that summer fun. Electricity. I hope Inception is good - I think it will be - but I'm more concerned that the crowd is into it. Yelling, maybe applauding during certain parts (I love it when something badass happens and everyone claps: like when Legolas took down that entire olephant in Return of the King, or when the Joker slammed a pencil through that guys head).

Summer ain't complete without one summer blockbuster. And tonight's the night.

Friday, July 9, 2010

LeBron James

1) He's no longer The King. All you need to know that he made the wrong choice. How can LeBron or anyone else consider him the King? How? When you're playing in Miami with the man who brough the Heat a championship, the man who stars alongside Charles Barkley in commercials, Dwayne Wade, how can LeBron be the King? He can't. Not to say that Wade is the King, but when you have two super stars that are kind of similar (not like Kobe/Shaq dynamic) you can't have a single King. LeBron's no longer the King. And to proclaim yourself King, have everybody be OK with it, go along with the ego trip, and then lose it? Sucks.

2) He should have come to New York. I honestly believe this. Yes, I'm a Knick fan, but I'm not a huge Knick fan. I like them. I like when New York sports succeeds. And there's only one basketball team. LeBron could have been the King of New York. He would have lived the high life. He would have been the biggest athlete ever. There's no doubt about it. And he would have eventually won here. Yes, the Knicks suck, and Amar'e is a shitty player, but come on? The job would've gotten done. I think LeBron is short-sighted. To boot: the most egotistical and self-promoting move in all of sports history, commited by Lebron last night, proves that he could would have fit right in with New York and all of its ego-tistical narccistical glory. (Ironic, no?) When you play in New York, it doesn't matter that the rest of the country hates you. New York is enough - and the entire fucking world cares about New York, and you can be damn sure all of those Thai motherfuckers and aborignals in the Outback would know who LeBron was, cuz everyone knows what happens in NYC. Now everybody in the USA expect for those in Miami hate him and the rest of the world will continue to not care. Miami? Please. Once we stop all Cubans coming into Florida there will be 10 Heat fans.

3) Stay in Cleveland. I am certainly not the kind of person who feels LeBron betrayed the people of Cleveland. He doesn't owe them shit. Was it a dick move? Yes. Could he have handled it better? Surely. But I'm not privvy to everything going on with LeBron, and just because the dude is an Ohioan...look, it's this dude's life when you get down to it. He wanted to move on, make a change. He could be the biggest asshole in the world, but because of the way he handled it, not because he left. Who wants to stay in Cleveland? Nobody. The only good thing from Cleveland is the Drew Carey show's theme song, and the rest of that show suck balls.

But it definetly would have been preferrable to him going to the Heat. At least he would have come off as a human, albeit a human who wouldn't have any rings. It would have been a better move, but I don't care about Cleveland when you get down to it. Poorly handled - Cleveland better than Heat - ultimately the man's choice - what is loyalty anyway?

4) Chicago. Everyone's saying that team's perfect for him and he would've been winning like crazy there, so I'm just going to agree with them. But of course, Jordan played there, and if you're Lebron you just can't go there. End of story.

5) The Nets suck. Only decision worse than the one he made. Russians suck, too.

That's just what came out of me. I think going to the Heat is just a wrong move. The team will be good. They will win (at some point). But Dwaye Wade and LeBron James sharing the spotlight is silly. There are only a handful of stars that ABSOLUTELY put people in the seats, and having them both in Miami is a travesty. He's not saving a team. He's not being loyal. He wants to win and win quick, but it's not gonna be the real deal. I think each ring he wins should be worth only half. I think that's fair.

Saturday, July 3, 2010

Wednesday, June 9, 2010

RELIGION

I believe in a woman with a nice ass. This woman also loves you and would do anything for you.

I believe in getting drunk and then drinking a couple glasses of water and feeling great.

I believe in trying to befriend cats. Getting better at it, and actually getting them on your side.

I believe in friends, who can party, then talk, then end a night with a significant feeling; a mutual feeling that's shared where gripes, hang ups, and misunderstanding are nothing but a common bond that makes a friendship stronger.

Religion is tough. I've been watching RELIGULOUS, Bill Maher and Larry Charles's film about religion, and I've been moved by it. Bill Maher is the kind of guy that gets people talking. He polarizes - in the best way. Sure, most people don't like him - fuck, I don't like him. But I love him for what he says, the way he says it, and how he says it. The man has an opinion, and I respect that he does.

The film addresses religion and how it's totally stupid for people to believe in religion. I agree. Believing unequivocally in sets of rules and magical histories...you might as well base a religion on Harry Potter. Why not? Just because it's old doesn't mean it's more right and less fictitious than Harry Potter, The Girl with a Dick Sleeve Tattoo, or The Hangover.

My family is religious. They're certainly not zealots and they certainly do not believe blindly. But they believe. They go to church; they cross themselves when they pass a church on a road trip; they do things that mean that they believe.

I for one believe. There's no church or religion or faith, only a belief that your actions are meaningful. If not believing in God is a belief, well, I believe that that's as good a belief as any. But I take it a step further, believing in all that shit I laid down at the beginning of this post. Plus music, of course.

I'm not quite sure what I am getting at in this post, other than: "I just believe in me, Yoko and me...Now that's reality." It's a John Lennon/Plastic Ono Band quote, I know. It's rock and roll. But can there be more than that? Most people spend their entire lives searching for love, and once they've found it, they do everything they can to keep it, protect it, and make it grow.

Is there anything larger or stronger? No. Love is the answer. But please, make that love you believe in one that is real. Belief in Jesus? Sure, maybe I'm wrong. Maybe when I die there is a religion and I'm screwed - but am I? If i lead a good life, without believing in anything, will I not be greeted in the kingdom of heaven with enthusiasm. I'm sure many, many people will say that I won't be. That's unfortunate. You see, religion is real, but it's not anything that's been passed on from generation to generation; it's not anything that you'll read in the Bible. Religion is people being good to one another, struggling to make their may in the word. When I meet a guy in NYC who says thank you for letting him and his children pass by me: that's religion. When I say thank you to a guy holding the door open for me, that's religion. The moments in life when I connect with a stranger - that's religion.

I will never, ever put someone down for believing in something. Just because I don't believe it or don't think that it makes any logical sense doesn't mean that their beliefs are untrue, or less untrue. They are beliefs. But don't make those beliefs into something that is more than understanding and coexisting with people. Without people, you are nothing. Because they believe in something else doesn't make them different than you - it makes them the same. I believe in this, you believe in that; because of this, we are all the same.

Bill Maher does a great job. Sure, he's a sarcastic prick most of the time - but so am I. So are most of the people I see eye to eye with.

So please, dismiss religion without dismissing it. See what it truly means to you. Walk down the street, see what makes you happy, and follow that. If getting drunk and smoking a stog does it for you, Hey, that can be what you believe.

Tuesday, May 25, 2010

Mustache

I have always been a proponent of the mustache. I am currently sporting one and have sported one in the past from time to time.

A mustache means something. It may not be entirely quantifiable, but I daresay I have gotten many claps on the back, as well as the more than the occasional eye from a member of the opposite sex.

So I just want to say some things about mustaches.

1) A mustache doesn't count unless you wear it for one month. A month is when wearing it becomes part of a year, as in, "Wow, I've had this mustache for 1/12 of a year!" A week is most often quantified within a month, and that's just child's play. One month. That's what it takes.

2) A mustache does not make you hip. A mustache is supposed to make you look classy, dignified, and handsome. Hip? I don't buy it. Maybe it's just a gut reaction to some of the L.E.S./Williamsburg freak shows I see with them but...No. A man can be hip and have a mustache, but that mustache does not make him hip.

3) I said in part 1 that a mustache doesn't count unless you've had it for a month. Still true. However, if you're bold enough to try it out for a week or two, you have my approval - still not a mustache, but a very admirable act. Kudos. Maybe next time, you'll make it all the way.

4) For some reason, people have to comment. Everyone says something. They can't not it seems. So you have to take it all in stride. Sure, when I hear, "You look like you were in a porno from the seventies!" one hundred times a night it gets a little grating - but I don't respond with, You look like a serial dolphin rapist, do I? Then again, there's nothing bad about this. Porn stars are studs. Go with it. Use it. This goes for any and all comments. "Hey, Freddie Mercury!" Gay, but had a great voice. You gotta roll with 'em.

5) Beware: Guys will always say, "If I could grow one I would definitely have a mustache. Definitely!" These guys are not bad people, they just don't get it. It's easy for them to say they want a stache - but they'll never be able to have one and therefore there's nothing to stop them from pretending they would actually have the salt to sport it. Just laugh, say, Sure, and move on. These are pretenders.

6) To those who won't grow it but can? Dude, it may work for you. I know this guy who is only decently attractive at best, but when I saw him with a mustache it was revelatory. He actually looked handsome, as one of my other pals said. Back in the day 20, 30 years ago, this guy would've said, "Yeah? Shit. I'm growing a stache!" and the pussy would've started to roll in. Nowadays, the guy laughs, says Whatever, and shaves it cuz he thinks it's silly or he's afraid. He's only hurting himself.

7) A mustache - if nothing else - is a confidence booster. Look, I'm not gonna lie and say it's for everyone or that it is even right for me; or, rather, the best look for me. But if you wear it for a month, and then shave it, all of a sudden the air is fresher. You look GREAT. And you looked great before, too! It's really a fucking amazing feeling, to look so good before and look so good after.

8) I'm convinced that if YOU like your facial hair than there are plenty of women out there that like it too. And I think they like that you had the balls to rock it out, even if they're not totally sold on the look from a purely aesthetical point of view.

9) I think it's personally insulting that people have made growing a mustache the punishment for losing a bet or wager. You lost, grow a stache, dickweed! Insulting.

10) SOMEONE HAS TO DO IT. In this day and age, the mustache is dead. I truly think so. Who wears them? Hipsters - they're losers; middle age men - nothing against them, but they've been grandfathered in; old men - same deal; and...shit, who else? Hockey players during playoffs? Bet losers? C'mon! Where are all the decent young men out there - normal guys, guys that drink beer, make fun of their bros, play HORSE, watch sports and listen to music, watch movies...just a normal guy, with a normal mustache, looking classy, dignified and handsome - where are they? They're nowhere and they wont be coming back for a long time. Too many stigmas, too little dudes that can reach down deep and rock that stache, the way it was meant to be rocked. NOT WITH IRONY! That is the lowest of the low. At my age, my father had a mustache, my uncles had mustaches, my grandfather had a mustache, and now I have a mustache. At least for a month or longer, at least here and there. Long enough so that it doesn't die with the freak shows down in the LES. I like the way it looks, but it's also a way of life, and that way of life is dying. It's not complicated, but I feel that I know, deep down, that it's more than just a mustache. It's a way of connecting to a time when men were men, women were women, people could smoke indoors, and a man was expected to be a gentleman. It was the rule, not the exception to the rule.

Classy. Dignified. Handsome. Those three words. Think about it, gentlemen. Think about what it means. Even if you don't actually grow it, think about what it means. Classy. Dignified. Handsome. Mustache.

Thank you.

Thursday, May 20, 2010

What Have I Done?

What's typical of me is that I get into a band heavily, almost out of the blue - something usually clicks, an album, a song - and then that's all, or mostly all, that I'll listen to for two weeks, a month. And I can't stop with one album: I immediately need it all. The entire discography. I just need to have it, want to have it.

The latest craze: The Clash. Ohhh baby. I'd say it falls below my Junior year spring semester Elvis Costello mania or my second of three Dylan crazes, the one during my sophomore year, but above my recent Neil Young and Harry Nilsson infatuations.

Yeah, so lately it's been about The Clash. I truly believe they are one of the best bands of all-time. They are a Zeppelin. A Rolling Stones. Beatles or Blink 182? Maybe not quite there - but that's just from someone who is very much a big fan of those two acts. I mean, The Clash, I believe, can make claim to being the best band of all-time. There's nothing too crazy about it if you know all their work, the context and times, who they were and what they stood for. Those guys were very very diesel.

And they still are. For a while I'd wanted to get into The Clash but it didn't click. I think it may have had something to do with "London Calling," the song. I'd heard it too many times and I think Joe Strummer's voice got on my nerves. I got turned around after listening to a Sound Opinions podcast where Greg Kot and Jim Derigotis dissected the album. It was enough to get me to finally listen to London Calling properly, after having it lie around for a while.

Long story short, I got totally into it. From London Calling I moved on to Give 'Em Enough Rope, The Clash (US and UK), Sandinista!, and Combat Rock. I still have to get to a whole bunch of singles and B-sides, but I've done a lot of listening.

I could go on forever about The Clash, but the purpose of this post was to talk about one song, "Police On My Back".



Written by Eddy Grant, this version is mind blowing. The song sounds amazing - madman guitars; an almost Spector-ish production going on within a simple rock setting; a Mick Jones lead vocal with a subtle, driving Joe Strummer vocal beneath it.

But I love this song because it's about a guy who has committed a crime. He has fucked up. He's screwed, and he has to keep on moving constantly, every day of the week, or else the fuzz'll get 'im.

This song is about making a mistake and saying to yourself "What have I done?" That's why I relate. I've made so many bad decisions during my life and I have felt the police on my back - not literally, but something has been on my back. Drinking, girls, relationships, friends, money, jobs, school, injuries, all that shit. I remember those times and pray that the time between the next incident is far, far away. Because it's such a bad feeling. That mistake dictating how you live, constantly moving, thinking.

And then, listening to this song, it's exhilarating too. Not knowing what's going to happen. But it's really not that pleasant however much it gets the blood pumping. I mean, that guitar in this song is a siren. It's hearing that siren fucking blasting wherever you go. There are dial tones in the middle of the song, friends who won't pick up the phone for you. And when Mick Jones screams "What have I done?" you know he's not talking to the cops, he's talking to himself. He wishes he hadn't a done what he done; he's not saying, "What, I haven't done a bloody thing!" to the coppers. He wants to take this back. But he can't. So he runs.

There you go. What more can I say? We all fuck up. "Police On My Back" is about trying to run from that mistake. Sometimes, you best better run. Other times, Fuck it. I'm talking about the little things, the things you do and it wasn't the best decision. Nobody's dead, nothing is FUBAR, you just wish you had had some restraint; you wish you hadn't a done it.

I always try my best not to worry about those little things that really have no real effect on anything in the long run. But sometimes you just can't, man. Sometimes you got the police on your back and you're runnin Monday, Tuesday, Wednesday, Thursday, Friday, Saturday, Sunday screaming, What have I done?

Everyone listen to The Clash!

Monday, May 10, 2010

OH RICKY! OHHH BILLLYYY!

Going to see Ricky Gervais live in a couple of hours. The man, the legend. As far as I'm concerned, this man is truly one of the funniest people on the planet.

And it's more than just his formal output - The Office, Extras, The Ricky Gervais Show, stand-up etc, etc, - the man seems funny in everyday life, constantly; he seems like the kind of guy who is the funniest person in the room, always (except on that episode of Marriage Ref where Larry David took control for the entire episode).

It's these types of guys I admire most. Bill Murray is probably the pinnacle: there is no way anyone else is as funny as Bill Murray - on screen or in real life. I read a Bill Murray quote in Live From New York, an oral biography of SNL, where he basically says that he used to be funnier, though he's still funny, but back in the day it was almost - quote - "vengeful," as in, he wanted to make people laugh until it hurt, just drive the joke home over and over, without ever getting less funny, of course. Just relentless humor - with complete command over it.

Breathtaking.

My favorite scene in Ghostbusters is a Murray improvised line. He gets to Sigourney Weaver's for the first time and is prowling around the apartment and he just ambles up to the piano, hits a few notes, and says, "They hate that", i.e., that ghosts hate it. I heard that that was just Reitman telling Bill: "be funny." And the line is so subtle and so funny...Bill Murray inhabits the screen totally and completely. If you look at his performances, it's clear that Murray can take total control at any time. And sometimes he does. Watch Meatballs, his first starring role, and you can watch him struggle - still in the SNL ensemble mind set - wanting to take control, realizing he probably should, but not quite going there as much or as often as he should, given the supporting cast and quality of the script and story because of said mindset - and proably because he's not confident enough just yet.

And then you have movies like Lost In Translation, which is basically Murray not being funny - but it's still funny because of all of the stuff that the film viewer knows about Murray's character in real life and all of the roles he's played up until then - the viewer knows the history and it certainly affects the performance and the way we perceive it. Not to discredit him: Murray knows this and uses it; again, he is pitch perfect.

This is turning into a Bill Murray cock suck, but the man deserves it. He is my hero. There's something about the guy that is unparalleled. I look at message boards on You Tube and there is always one or two or three or four or more posts that say Billy Murray Is A God. It's true. Doesn't he say as much in Groundhog Day? Oh wait, he says he's A god, not the god.

It's like the geeks from Freaks and Geeks feel: when someone tells them that Bill Murray or Steve Martin isn't funny, they just can't believe it. Utter disbelief. Why? Because, like me, they know that that it is simply not true. Bill Murray is funny. People say that these things are about opinion and taste and blah blah blah - untrue. That is the case sometimes, but there are certain instances where it is a fact. People are funny, just as people are undeniably good looking.

I think Gervais is almost there. To deny that he's funny...well, it's not 100 percent unpardonable yet, but it's damned close. Yes, he's British, so I guess Americans get a pass for that if they think he's not funny. But if you really take the time and watch his oeuvre, and then watch him during interviews and award shows and the like, I think that it cannot be denied the man is a funny bloke. He's not Bill Murray (not yet) but he's got a shot.

If you need convincing, check out some of The Office bonus materials. Madness.

[The American Office is a fine show, full of hilarious moments. But there is no denying that the British Office -THE Office - is superior: funnier and also a perfectly crafted two season plus one XMAS special arc where the emotional highs and lows are do devastingly real and devestating that it cannot even be compared to questions of whether Pam's gonna suck Tim's dick in episode 345 or not.]

Thursday, May 6, 2010

Who Gives A Shit: The Release Date

Maybe I shouldn't tell anybody about this since it is illegal, but I have I downloaded music from the internet...without paying for it.

I don't know if this as dangerous as it once (apparently) was, but my understanding is that everyone is doing it.

Hey, what can you do? It's the way the world works nowadays. This doesn't make it right, but there is a certain shared notion - one that grows every day - that stealing music is acceptable. Maybe not with everyone, but people certainly won't look at you like a criminal if they found this out.

I am a big music fan. I love discovering new music, whether old or brand new. The chance that I may listen to an album or a song that is truly great is in many ways an experience I live for. And, I have to say that while not every piece of music I get is life changing, I have discovered quite a lot of music that I now considered indispensable.

And you know what? If it weren't for the internet, I wouldn't be listening to at least half of the music I currently have. Let me say right now that while I do partake in downloading music from the internet, I purchase a lot of albums in stores and online - the actual physical albums, with a cover and a case and a disc and a little booklet. I'm not a collector or anything, but I enjoy buying and having CDs. I am proud of my collection, in that it is a physical representation of my musical tastes; a history of my musical life. I'm not looking to get rare shit and check out its value and boast that I have this Japanese import and that limited edition; I just enjoy holding something while I listen to the music, reading the liner notes, putting the disc in my CD player - you know, having an experience. And when I look at my shelf full of CDs...it's nice. I'm a music fan, and I like having my music there, on my shelf within arm's reach.

But I can't buy every damned record I want because I want to hear everything that piques my interest, even if only a little. If I had to buy everything I wouldn't have any money, and I'd be missing out on so much joy and pleasure.

That sounds selfish, and it is. There's no way of denying the fact that artists are losing money. If I get a couple of albums from a band off the internet and if I like them, I will oftentimes go and buy a CD of theirs, just so I can pay for some of it. Hey, maybe I'm just trying to ease my own guilt, but it's something. I'm trying. And again, I love opening up and new CD and physically having it.

This is what I won't do: download an album before it is released. I can't do it, for a few reasons.

First, the most simple reason: How do you know for sure you've got the finished product? It may not be complete. Odds are it is, but you never know. It's happened before. And, if you are listening to something that an artist never meant for you to hear, it's like you're going through their diary. If you wait until the release date or after it, at least what your getting is definitely (or much more likely) the finished product, the music as they intended it to be heard.

The second reason is respect for the artists, an extension of the aforementioned diary point. Hey, you may say, you little theif! You don't give a shit about the artist! If you said that to me, I cannot argue with you. How can I? But I do feel that an effort to wait to listen until the music has been officially released is worth something. I feel as if a lot of musicians are pissed that they're losing money - but I also feel that most artists nowadays know people will be stealing their music, have gotten used to this fact, and are trying to make money in other ways, like touring. My assumption, based off of my feelings as a musician and artist, is that yeah, having more money would be sweet, but this is my craft! It's not meant to be out at all yet!

Which brings me to my last point: Music is meant to be heard at a certain time and place. Obviously, if an album is relased in 1980, I can't hear it on its release date now. I'm not Doc Brown. But if you are looking forward to listening to music that will be relased in the not so distant future, don't you want to listen to it on or soon after the date the artist intedended for you to listen it? Albums are released at certain times because the music is meant to connect to the time of year; the season; close to an election, maybe; any number of reasons. Some albums are summer albums, man! What if you were able to get Sgt Pepper in April, when it was completed, two months before it was released on June 1, 1967? Sure, the music would still rock, and you would contexualize the album within your own personal frame of reference - but you wouldn't be listening to the album for the first time during the Summer of Love, man, the fucking start of it all! I know, I know: Who cares? Well, I do. I don't think it would be the same. You might say, maybe it would be better. And, maybe, you'd be right. But there's never a way of knowing and that's why I say: Stick to the release date because, believe it or not, some artists have intentions, and, rather than ratonalize and say that we make an experience of the album regardless of the actual release date, why not take it in after its actual release?

That's part of the problem with music today. People are hearing albums all over the place because they can get it months and months before it comes out. When Sgt. Pepper was released the entire world heard it at the same time! Think about that! That doesn't happen nowadays. There is no feeling that people are unwrapping this album just as you are - in fucking China! I think that's a shame.

Maybe I'm sentimental. Maybe it really doesn't matter. Maybe I shouldn't care. But I do. Truly. I will always wait until that release date, for music, movies, books, everything. Unless I have the blessing of the artist - Hey Dan, can you listen to this before we put it out? - unless they say that to me, personally, I won't do it. In a world where everything is free, I think the least we can do is respect the artistic decisions of artists, and, if the artist doesn't give a shit, take pleasure in waiting in anticipation for something and the ultimate reward of enjoying a piece of art with a large community. It's what's missing in music. The niche is nice, I love the niche-ization of the music industry because it opens up a lot of doors to artists, but damn it! I miss those good old days I never even experienced. There will never be another Summer of Love because everyone wants their Summer of Love whenever they want it, whenever is convenient and easiest, quickest.

So I steal music. But I try and have some respect for the artists. I hope one day I can afford to buy everything I want to hear and never download again. I think it may happen. But until that day, the least I can do is try and respect the artist and experience the album as they intended, at least the music part. When more people do this, music will once again be a communal experience - or, rather, a communal experience aside from the fact that everyone is stealing music without regard for the release date.

Wait until it comes out. It's worth it. You'll enjoy it that much more. Trust me.

Thursday, April 29, 2010

Wednesday, April 28, 2010

"The Future"


Click this for a large view of the first in a series of pieces. This one's "The Future".

Thursday, April 15, 2010

The Return of Rock

I often think, "What's wrong with music today?" and very rarely can I put my finger on exactly what it is. Not only that, but I enjoy a lot of music that is new. A good deal of it is good.

But there's something wrong with music today. And I'm talking more about indie stuff. Because there's nothing wrong with popular music: it is what it is, popular music. Most of it will be shit: this isn't 1967 where they're playing all of Sgt. Pepper on the radio. I'm concerned with the stuff that's supposed to be cool and hip and also, you know, awesome. So when I survey the indie musical landscape of today, this is what I think:

No fucking balls.

The theme of the day is your Animal Collective, your Beach House, your Grizzly Bear. Music that is lush and pretty and sonically interesting - whatever. This music has no teeth. This music is not threatening your parents. If you put this music on in the car with them they'll either not even realize there's music playing; momentarily believe that they're at the dentist or in an elevator; or just look confused, like, What is this strange music, Jeffrey?

There are some exceptions to the rule, of course. Liars comes to mind immediately. Also, St. Vincent. But it's a struggle for me. I'm sure there are thousands of people who, if they read this, would say, "You're wrong, bro, this band and that band, they are fucking RIGHTEOUS." I'm sure it's true, but, as someone who is more than a casual fan but less than a fanatic (close) I don't hear about too much music that has balls.

I've been reading through the history of punk ("Please Kill Me") and, man, do we live in some boring times. Like I said, here's a lot of great music out there but that doesn't change the fact that most of the respected musicians in the indie scene today are soft. And soft music makes for soft people, which is exactly what I see when I go to shows: skinny dudes looking real fem and wimpy.

I think it's a shame. And that's why I think that the next big music explosion will be the return of balls to music - which you could simply call the return of rock n roll. Of course, it won't be The Stooges, it won't be the MC5. But it will be rock n roll again, whatever form it takes when filtered through the ages to today.

I'm talking about the blues. I'm talking about blood. I'm not talking Grizzly Bear stroking their instruments, and I'm certainly not talking about dudes sitting behind consoles pushing buttons. Fuck button pushers.

Jack White knows what's what. I'm not too into all of his other bands, but when he's with the White Stripes he knows how to rock. He goes for it. Is it any coincidence that he is one of the biggest men in music? Bigger than the fucking indie scene? I don't think so.

I hope I am at the forefront when the return occurs. I wanna be a part of it. I'm sick of what is hip. What's hip isn't hip, not really. I don't get it, I guess. It all seems so calculated and - wait for it - pretentious. And why the fuck is wearing a Middle Eastern scarf deal so fucking cool?!

Music will be big again in a big way - in a way that matters to a lot of people - when rock returns and people get a little more angry. And not specific anger, but just general anger, pissed of at everything and nothing. Musicians are too smart nowadays. Rock and roll comes from your crotch, not from your head. Hopefully, musicians will smarten up and get dumber so we can have a scene that once again is about music that will seriously piss off authority.

Friday, March 26, 2010

Some Albums I Listened to Today

Albums I listened to in their entirety today while @ work (in order of listen):

Phrazes for the Young - Julian Casablancas

Transference - Spoon

Ga Ga Ga Ga Ga - Spoon

Weird Era Cont. - Deerhunter

Sisterworld - Liars

My Aim Is True - Elvis Costello

Imagine - John Lennon

No Depression - Uncle Tupelo

Parklife - Blur

Clubland - Elvis Costello & the Attractions

I'd say the Costello hit the spot best. I haven't listened to that album straight through in a while. Plus, I'd never listened to the bonus tracks and they're all very fine. Great acoustic version of "Lip Service".

Spoon, as I always say, have great songs but their albums tend to drag/have some weak links. Transference may be their most cohesive album. I enjoy it as a whole possibly more than I do any individual song. I can't say the same of Ga; the latter half isn't too memorable. I also find, with Spoon, that the sound can be a little wearing, annoying - too perfect and concise, even the rough moments. Brit Daniel's voice - which I love - can get on the nerves a little bit during the course of an album. Still, they write some pop gems, and they're masters in the studio, getting that lean, minimal sound. To me, they've always sounded like a Spoon.

The Casablancas album is straight up good. And I think it's in the class of music that is both totally weird and different while still appealing to a large audience. My favorite kind!

Imagine, always a great listen. And a strange album! It's weird stuff, if you think about it, and heavy. "I Don't Wanna Be a Soldier" - that's intense. Imagine may not be as emotionally intense as Plastic Ono Band, but it certainly has its fair share of bitterness and anger. I would say that musically, it's stranger and more polarizing. And today I realized: the guy starts the album with "Imagine"? That's not what you'd call a classic opener. More like a closer, and "Oh Yoko!" is more like an opener. But that's the genius of Lennon going on there. He knows what works best.

Monday, March 22, 2010

Monday, March 15, 2010

PRECIOUS

Watched Precious: Based on the Novel Push By Sapphire last night. Great film, all around. It was also not what I expected. What did I expect? I'm not quite sure, but Precious was far more fantastical a film, and more sweeping in scope and execution, then I thought it would.

All the performances were great, especially Gabourey Sibide - classic.

But, the best part of the film is its title. Here are some variations:

Novel: Precious Based on the Sapphire By Push

Sapphire: Push Based on the Precious By Novel

Based: Sapphire Push on the Novel by Precious

Push: On the Novel Based by Sapphire Precious

Sapphire Based on the Precious Push: Novel

OK OK, I could do this all day - and I think I did yesterday. Anyways, if you felt any reservations about seeing Precious for any reason, don't. One of the best of the past year. All praise deserved.

Friday, March 5, 2010

2010 Oscar Predictions: Who Gives A Shit???

Here are my predictions for the 2010 Oscars. These are what I think WILL win, not what I think SHOULD or what I WANT to win.

I would love it if Inglourious Basterds wins every award it's up for because I think it's the best film, but I've got THOUSANDS OF DOLLARS riding on this so I have to think very logically and cagily.

Note that I've got Cameron winning Best Director while I have The Hurt Locker winning Best Picture. I think this is kind of cagey of me, and I think it may happen cuz people want to give props to Avatar, but a lot of people think that while it is amazing on so many levels, it's really not THAT great of a movie or, at least, not the best movie of the year - but it did become the highest grossing film of all time, changed the way people can make movies, and still is basically very bad ass. So people will vote this way to ensure that both movies get props. It could go the opposite way, or one of the two will get both, or none will, but I'm feeling confidently cagey and saucey, so there ya go.

Also, just saying, that, you know, some of this shit is just, you know, "Oh, The Door sounds like a A Best Live Action Short winner!" Basically, you know, guessing, based on nothing but the name of the god damn thing, you know?

My predictions are bolded.

Best actor in a leading role Oscars 2010 nominees
* Jeff Bridges in “Crazy Heart” (Fox Searchlight)
* George Clooney in “Up in the Air” (Paramount in association with Cold Spring Pictures and DW Studios)
* Colin Firth in “A Single Man” (The Weinstein Company)
* Morgan Freeman in “Invictus” (Warner Bros.)
* Jeremy Renner in “The Hurt Locker” (Summit Entertainment)

Best actor in a supporting role Oscars 2010 nominees
* Matt Damon in “Invictus” (Warner Bros.)
* Woody Harrelson in “The Messenger” (Oscilloscope Laboratories)
* Christopher Plummer in “The Last Station” (Sony Pictures Classics)
* Stanley Tucci in “The Lovely Bones” (DreamWorks in association with Film4, Distributed by Paramount)
* Christoph Waltz in “Inglourious Basterds” (The Weinstein Company)

Best actress in a leading role Oscars 2010 nominees
* Sandra Bullock in “The Blind Side” (Warner Bros.)
* Helen Mirren in “The Last Station” (Sony Pictures Classics)
* Carey Mulligan in “An Education” (Sony Pictures Classics)
* Gabourey Sidibe in “Precious: Based on the Novel ‘Push’ by Sapphire” (Lionsgate)
* Meryl Streep in “Julie & Julia” (Sony Pictures Releasing)

Best actress in a supporting role Oscars 2010 nominees
* Penélope Cruz in “Nine” (The Weinstein Company)
* Vera Farmiga in “Up in the Air” (Paramount in association with Cold Spring Pictures and DW Studios)
* Maggie Gyllenhaal in “Crazy Heart” (Fox Searchlight)
* Anna Kendrick in “Up in the Air” (Paramount in association with Cold Spring Pictures and DW Studios)
* Mo’Nique in “Precious: Based on the Novel ‘Push’ by Sapphire” (Lionsgate)

Best animated feature film of the year Oscars 2010 nominees:
*“Coraline” (Focus Features) Henry Selick
*“Fantastic Mr. Fox” (20th Century Fox) Wes Anderson
*“The Princess and the Frog” (Walt Disney) John Musker and Ron Clements
*“The Secret of Kells” (GKIDS) Tomm Moore
*“Up” (Walt Disney) Pete Docter

Best in art direction Oscars 2010 nominees:
*“Avatar” (20th Century Fox) Art Direction: Rick Carter and Robert Stromberg
Set Decoration: Kim Sinclair
*“The Imaginarium of Doctor Parnassus” (Sony Pictures Classics) Art Direction: Dave Warren and Anastasia Masaro
Set Decoration: Caroline Smith
*“Nine” (The Weinstein Company) Art Direction: John Myhre
Set Decoration: Gordon Sim
*“Sherlock Holmes” (Warner Bros.) Art Direction: Sarah Greenwood
Set Decoration: Katie Spencer
*“The Young Victoria” (Apparition) Art Direction: Patrice Vermette
Set Decoration: Maggie Gray

Best in cinematography Oscars 2010 nominees:
*“Avatar” (20th Century Fox) Mauro Fiore
*“Harry Potter and the Half-Blood Prince” (Warner Bros.) Bruno Delbonnel
*“The Hurt Locker” (Summit Entertainment) Barry Ackroyd
*“Inglourious Basterds” (The Weinstein Company) Robert Richardson
*“The White Ribbon” (Sony Pictures Classics) Christian Berger

Best in costume design Oscars 2010 Nominees:
*“Bright Star” (Apparition) Janet Patterson
*“Coco before Chanel” (Sony Pictures Classics) Catherine Leterrier
*“The Imaginarium of Doctor Parnassus” (Sony Pictures Classics) Monique Prudhomme
*“Nine” (The Weinstein Company) Colleen Atwood
*“The Young Victoria” (Apparition) Sandy Powell

Best Director Oscars 2010 Nominees:
*“Avatar” (20th Century Fox) James Cameron
*“The Hurt Locker” (Summit Entertainment) Kathryn Bigelow
*“Inglourious Basterds” (The Weinstein Company) Quentin Tarantino
*“Precious: Based on the Novel ‘Push’ by Sapphire” (Lionsgate) Lee Daniels
*“Up in the Air” (Paramount in association with Cold Spring Pictures and DW Studios) Jason Reitman

Best documentary feature film Oscars 2010 Nominees:
*“Burma VJ” (Oscilloscope Laboratories)
A Magic Hour Films Production Anders Østergaard and Lise Lense-Møller
*“The Cove” (Roadside Attractions)
An Oceanic Preservation Society Production Nominees to be determined
*“Food, Inc.” (Magnolia Pictures) A Robert Kenner Films Production Robert Kenner and Elise Pearlstein
*“The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers”
A Kovno Communications Production Judith Ehrlich and Rick Goldsmith
*“Which Way Home” A Mr. Mudd Production Rebecca Cammisa

Best documentary short subject Oscars 2010 Nominees:
*“China’s Unnatural Disaster: The Tears of Sichuan Province”
A Downtown Community Television Center Production Jon Alpert and Matthew O’Neill
*“The Last Campaign of Governor Booth Gardner”
A Just Media Production Daniel Junge and Henry Ansbacher
*“The Last Truck: Closing of a GM Plant” A Community Media Production Steven Bognar and Julia Reichert
*“Music by Prudence” An iThemba Production Roger Ross Williams and Elinor Burkett
*“Rabbit à la Berlin” (Deckert Distribution) An MS Films Production Bartek Konopka and Anna Wydra

Best in film editing Oscars 2010 Nominees:
*“Avatar” (20th Century Fox) Stephen Rivkin, John Refoua and James Cameron
*“District 9″ (Sony Pictures Releasing) Julian Clarke
*“The Hurt Locker” (Summit Entertainment) Bob Murawski and Chris Innis
*“Inglourious Basterds” (The Weinstein Company) Sally Menke
*“Precious: Based on the Novel ‘Push’ by Sapphire” (Lionsgate) Joe Klotz

Best foreign language film of the year Oscars 2010 Nominees:
*“Ajami”(Kino International) An Inosan Production Israel
*“El Secreto de Sus Ojos” (Sony Pictures Classics) A Haddock Films Production Argentina
*“The Milk of Sorrow” A Wanda Visión/Oberon Cinematogràfica/Vela Production Peru
*“Un Prophète” (Sony Pictures Classics) A Why Not/Page 114/Chic Films Production France
*“The White Ribbon” (Sony Pictures Classics) An X Filme Creative Pool/Wega Film/Les Films du Losange/Lucky Red Production Germany

Best in Makeup Oscars 2010 Nominees:
*“Il Divo” (MPI Media Group through Music Box) Aldo Signoretti and Vittorio Sodano
*“Star Trek” (Paramount and Spyglass Entertainment) Barney Burman, Mindy Hall and Joel Harlow
*“The Young Victoria” (Apparition) Jon Henry Gordon and Jenny Shircore

Best in music written for motion pictures Oscars 2010 Nominees (Original score)
*“Avatar” (20th Century Fox) James Horner
*“Fantastic Mr. Fox” (20th Century Fox) Alexandre Desplat
*“The Hurt Locker” (Summit Entertainment) Marco Beltrami and Buck Sanders
*“Sherlock Holmes” (Warner Bros.) Hans Zimmer
*“Up” (Walt Disney) Michael Giacchino

Best in music written for motion pictures Oscars 2010 Nominees (Original song)
*“Almost There” from “The Princess and the Frog” (Walt Disney) Music and Lyric by Randy Newman
*“Down in New Orleans” from “The Princess and the Frog” (Walt Disney) Music and Lyric by Randy Newman
*“Loin de Paname” from “Paris 36″ (Sony Pictures Classics) Music by Reinhardt Wagner. Lyric by Frank Thomas
*“Take It All” from “Nine” (The Weinstein Company) Music and Lyric by Maury Yeston
*“The Weary Kind (Theme from Crazy Heart)” from “Crazy Heart” (Fox Searchlight) Music and Lyric by Ryan Bingham and T Bone Burnett

Best motion picture of the year Oscars 2010 Nominees:
*“Avatar” (20th Century Fox) A Lightstorm Entertainment Production James Cameron and Jon Landau, Producers
*“The Blind Side” (Warner Bros.) An Alcon Entertainment Production
*“District 9″ (Sony Pictures Releasing) A Block/Hanson Production Peter Jackson and Carolynne Cunningham, Producers
*“An Education” (Sony Pictures Classics) A Finola Dwyer/Wildgaze Films Production Finola Dwyer and Amanda Posey, Producers
*“The Hurt Locker” (Summit Entertainment) A Voltage Pictures Production
*“Inglourious Basterds” (The Weinstein Company) A Weinstein Company/Universal Pictures/A Band Apart/Zehnte Babelsberg Production Lawrence Bender, Producer
*“Precious: Based on the Novel ‘Push’ by Sapphire” (Lionsgate) A Lee Daniels Entertainment/Smokewood Entertainment Production Lee Daniels, Sarah Siegel-Magness and Gary Magness, Producers
*“A Serious Man” (Focus Features) A Working Title Films Production Joel Coen and Ethan Coen, Producers
*“Up” (Walt Disney)A Pixar Production Jonas Rivera, Producer
*“Up in the Air” (Paramount in association with Cold Spring Pictures and DW Studios) A Montecito Picture Company Production Daniel Dubiecki, Ivan Reitman and Jason Reitman, Producers

Best animated short film Oscars 2010 Nominees:
*“French Roast”A Pumpkin Factory/Bibo Films Production Fabrice O. Joubert
*“Granny O’Grimm’s Sleeping Beauty” (Brown Bag Films) A Brown Bag Films Production Nicky Phelan and Darragh O’Connell
*“The Lady and the Reaper (La Dama y la Muerte)” A Kandor Graphics and Green Moon Production Javier Recio Gracia
*“Logorama” (Autour de Minuit) An Autour de Minuit Production Nicolas Schmerkin
*“A Matter of Loaf and Death” (Aardman Animations) An Aardman Animations Production Nick Park

Best live action short film Oscars 2010 Nominees:
*“The Door” (Network Ireland Television) An Octagon Films Production Juanita Wilson and James Flynn
*“Instead of Abracadabra” (The Swedish Film Institute) A Directörn & Fabrikörn Production Patrik Eklund and Mathias Fjellström
*“Kavi” A Gregg Helvey Production Gregg Helvey
* “Miracle Fish” (Premium Films) A Druid Films Production Luke Doolan and Drew Bailey
*“The New Tenants” A Park Pictures and M & M Production Joachim Back and Tivi Magnusson

Best in sound editing Oscars 2010 Nominees:
*“Avatar” (20th Century Fox) Christopher Boyes and Gwendolyn Yates Whittle
*“The Hurt Locker” (Summit Entertainment) Paul N.J. Ottosson
*“Inglourious Basterds” (The Weinstein Company) Wylie Stateman
*“Star Trek” (Paramount and Spyglass Entertainment) Mark Stoeckinger and Alan Rankin
*“Up” (Walt Disney) Michael Silvers and Tom Myers

Best in sound mixing Oscars 2010 Nominees:
*“Avatar” (20th Century Fox) Christopher Boyes, Gary Summers, Andy Nelson and Tony Johnson
*“The Hurt Locker” (Summit Entertainment) Paul N.J. Ottosson and Ray Beckett
*“Inglourious Basterds” (The Weinstein Company) Michael Minkler, Tony Lamberti and Mark Ulano
*“Star Trek” (Paramount and Spyglass Entertainment) Anna Behlmer, Andy Nelson and Peter J. Devlin
*“Transformers: Revenge of the Fallen” (DreamWorks and Paramount in association with Hasbro, Distributed by Paramount) Greg P. Russell, Gary Summers and Geoffrey Patterson

Best in visual effects Oscars 2010 Nominees:
*“Avatar” (20th Century Fox) Joe Letteri, Stephen Rosenbaum, Richard Baneham and Andrew R. Jones
*“District 9″ (Sony Pictures Releasing) Dan Kaufman, Peter Muyzers, Robert Habros and Matt Aitken
*“Star Trek” (Paramount and Spyglass Entertainment) Roger Guyett, Russell Earl, Paul Kavanagh and Burt Dalton

Best in Adapted screenplay Oscars 2010 Nominees:
*“District 9″ (Sony Pictures Releasing) Written by Neill Blomkamp and Terri Tatchell
*“An Education” (Sony Pictures Classics) Screenplay by Nick Hornby
*“In the Loop” (IFC Films) Screenplay by Jesse Armstrong, Simon Blackwell, Armando Iannucci, Tony Roche
*“Precious: Based on the Novel ‘Push’ by Sapphire” (Lionsgate) Screenplay by Geoffrey Fletcher
*“Up in the Air” (Paramount in association with Cold Spring Pictures and DW Studios) Screenplay by Jason Reitman and Sheldon Turner

Best in Original screenplay Oscars 2010 Nominees:
*“The Hurt Locker” (Summit Entertainment) Written by Mark Boal
*“Inglourious Basterds” (The Weinstein Company) Written by Quentin Tarantino
*“The Messenger” (Oscilloscope Laboratories) Written by Alessandro Camon & Oren Moverman
*“A Serious Man” (Focus Features) Written by Joel Coen & Ethan Coen
*“Up” (Walt Disney) Screenplay by Bob Peterson, Pete Docter
Story by Pete Docter, Bob Peterson, Tom McCarthy

Tuesday, March 2, 2010

Dan is the Cute College Grad of the Day on DanGrgas.blogspot.com


Dan
from long island, ny (da strong!!)

age: 23 || employment: web manager || salary: private! || eye color: blue || religion: no




Would you rather have your back rubbed or your hair played with?
Why can't I have both? LOL. I dunno...I kinda like both at the same time. It really puts me to sleep!

Boxers or briefs? Why?
BOXER-BRIEFS because I can't make decisions! hahahha

Have you ever made out in a movie theater?
Uhh, like who hasn't? HAHA straight through Shrek 2 AND 3!!

If the two short sides of a right triangle are three and four what is the length of the longest side?
MATH IS MY WORST WORST SUBJECT!!!!

What's something you do if you really like a guy?
Hmm...Prob go catch the newest Scorsese movie or something. Maybe I'd ask him if he wanted to play a little one-on-one. But then again that's only if he's the athletic type, you know?

What'd you get on your SAT/ACTs?
ACTs? What's that?? Haha oh no I honestly don't remember! that was high school! Good enough to get into college, I guess...barely! ;)

Have you ever hooked up with someone you met on the internet?
Yeah. A few. I was young and desperate for some reason. I hope younger people don't make the same mistakes I did.
When was the last time you spit?
Haha ew! I don't.

Saturday, February 27, 2010

Wednesday, February 24, 2010

Unfiltered From the Heart, From Me To You

The Human Condition. What the fuck does that even mean? I don't know. What I think it means goes something like, the experience of being human...and what makes up that experience.

I've been reading a lot of David Foster Wallace and aside from his phenomenal prowess as a writer - no one puts together a sentence quite like he does - he manages to relate anything he writes about to something that is deeply important about humanity; boiling everything down to the most essential question at the heart of the matter at hand and how it all relates to what it means to be a person living on planet Earth, commenting on...the Human Condition. Why am I here? What is my purpose? Etc.

Now, I don't really feel the need to try and answer any of those questions - that would be fucking stupid cuz, you know, nobody can answer them, really - I just wanted to say that any artist or person that can make one think about these kinds of things is doing something right. They're getting to the important stuff.

Lately, I've been in awe of Wallace for doing it so well. He turns a piece of reportage on John McCain's 2000 Presidential campaign into an essay about what it means to believe in something; what it means to be part of something; the implications of investing in heroes in the 20th and 21st centuries. He does this while writing informatively about his subject, but at the end of the day you can tell that he is interested more in probing the depths of the human soul and psyche and adressing questions of morality and spirituality.

In general, you have to give it up for artists who can do this. And, I think, you have to question "artists" who don't do this. What's it all for? Wallace writes about Dostoevsky, who, apparently, cared very much about the things that I have been mentioning in the paragraphs above. Wallace goes on to say that if "serious" writers today would write with as much straight forward passion and unwavering commitment and belief about morality and spirituality - i.e. the deep questions, et al. - they would be branded as sentimentalists and, what Wallace considers the insult of all insults in today's day and age, these writers would be "laughed out of town".

I thought about Wallace's claim and agreed, perhaps not entirely, but enough for me to crave...people who wear their hearts on their sleeves a bit more. People who are unafraid to be passionate and don't hide it within layers of meaning and all of the trends that are associated with literature since Ulysses, more or less. Modernism, postmodernism; anything that keeps true moral and spiritual assaults and commentary hidden between and below stylistic bru-ha-ha, cloaking the issues that matter most under a veil of hippness, technical hi-jinks, holier than thou parody and satire - basically all the bullshit that can get between what truly matters most and the reader/viewer/listener/etc.

But there's plenty out there that still hits directly! To be fair, I read a lot, but I don't have the grasp on the current contemporary literary canon to comment accurately and intelligently about it. To be fair, I like a lot of movies that come out and I feel like they're all doing their best to entertain while hitting viewers in the heart and head. As far as music goes, maybe it's because I am pretty much on top of a lot of the new music that's coming out and have a good grasp on the scene as a whole, but I think this tendency of being overly clever and not just coming out and saying it has been hurting music a little bit.

But I don't have any specific axe to grind here. I can't name too many specific books/movies/albums that are afraid of being direct and passionate about morality and spirituality, life and death, love and hate; afraid of addressing these issues openly because they'll be interpreted as sentimentality. But it's a fear of mine, because I do feel that I see it - maybe just in some crazy abstraction, but I feel, within me, that it's happening. People are too hip and jaded and afraid of coming off as any number of uncomplimentary things to be truly open, in many cases.

I hope that people always realize that it is valuable to write openly about what truly matters. To address The Human Condition. To understand that there is a difference between sentimentality and truly caring and wanting everyone to think about what matters to you or to humanity in general. This post itself makes me feel a tad embarrassed because I'm trying to address the issue directly, without being self-conscious about its openness.

What it comes down to for me is that I love artists that put everything on the line in order to get an emotion or an idea across. To take what one feels in their heart and turn it into a song without changing it, without messing with it. It's hard because then you're exposed and vulnerable. It's your heart and soul out there and people will know it. But that's what makes the best shit. Unfiltered from the heart, directly from me to you. Hopefully, not only will it say something about you, but it will resonate with everyone because it is the truth, it's how you feel, and if one communicates directly, from the heart, it will inform us all on the human condition in some way.